This baby is hot. An Ace Frehley “Budokan” Les Paul Custom. A limited number of these beauties hit the market last month. No, I don’t have one.
Gibson’s website has a little blurb on this thing.
When KISS hit the stage at Nippon Budokan in Japan in 1977 with guitarist Ace Frehley behind a Cherry Sunburst, three-pickup Les Paul Custom, the entire package—band, guitarist, guitar—embodied the height of glam-rock excess and success for the ’70s. This was the ultimate marriage of pop and heavy rock, driven to meteoric heights by the record industry marketing machine, and ultimately attaining that otherworldly presence that great stadium rock should achieve: unbridled fantasy and party-hard reality rolled into one glorious explosion.
This got me thinking of all the different Budokan concerts I’ve seen over the years (sadly never live, only recorded).
Historically, many bands have viewed Japanese audiences as more appreciative than their American counterparts. Actually it was CLAPTON IS GOD who first described it in 1980. Whatever the reason, most bands find themselves playing, recording, and even taping entire shows whenever they tour Japan. More often than not, Budokan is at the center of it all. Something about the venue makes it particularly attractive. I don’t know what it is, I’ve never been there. But what I do know is some of music’s greatest performances period have taken place at Nippon Budokan.
Here are several legendary (and some not-so-legendary) performances
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